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Cerbera's Sketchbook


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LAB Golf Spot May 2021

 

Particularly rewarding project this one - modelling initially, then over to my good buddy KC for some Octane rendering, then back to me for the musics...

 

 

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  • 2 weeks later...

Righty - must be time for some more golf clubs (for a change) ! Very enjoyable models to make...

 

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Renders by Kane Cochran / Octane

 

...and some wires of course...

 

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All the quads, SDS etc etc

 

CBR

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  • 2 months later...

Let's have something different. Oh no wait, it's more golf clubs; beginning to feel like I have modelled every golf club in the world at this rate ! 🙂

These particular ones though, by Zebra Golf have been particularly rewarding, and I was able to do SDS and all the quads in all 4 of these...

 

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...and some wires of those thusly...

 

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Renders by Kane Cochran in good old Octane 🙂

 

CBR

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The edge flow transitions are just outstanding, inspiring and I always learn something from every one of your meshes. 

 

...well, I learn what to do.  Actually doing it is a completely different story.

 

You mentioned in the first post that the piece came back to you for the music?  Can you tell us more?  Did you perform it, compose it or just edit it in?  Really nice clean music as well.

 

Dave

 

P.S.  Clean meshes, clean music.  How clean is your work space?  Please tell me you are human and it is a completely messy and unorganized pile of papers, old coffee cups, and half eaten bags of Cheetos.

Sorry...but I simply do not have enough faith to be an atheist.

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1 hour ago, 3D-Pangel said:

You mentioned in the first post that the piece came back to you for the music?  Can you tell us more?  Did you perform it, compose it or just edit it in?  Really nice clean music as well.

 

Oh thank you ! Yeah, I write orchestral soundtrack type stuff for fun, and occasionally profit 🙂  All (initially) using Virtual instruments with each part played in via piano / keyboard or directly scored. The piece above was just half a day of testing out a new Chamber strings library I had just purchased, the instrumentation of which seemed to fit the feel of the ad they wanted. But I have been lucky enough to do a lot more music this year - got to write a lot of the soundtrack to a ballet for dance academy perfomance 'Worlds in Motion'  which was fully symphonic (used the excellent Spitfire BBC Symphonic Library a lot there) and substantially more epic, being, as it was, all about vast planetary movements and Gods and Goddesses and whatnot 🙂 The live performance of that is delayed until April 2022 because of Covid, but it was great fun to work on. Alas most of the time the 3D's keep me busy enough to not really have time for music, but I remain determined to go back to it whenever I get a decent break....

 

However, having built up quite some collection of personal pieces over the various lockdowns I can share, I am resolved to get some of these tunes out in 2022, hopefully with some decent C4D / Octane videos to accompany...

 

CBR 

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1 hour ago, 3D-Pangel said:

P.S.  Clean meshes, clean music.  How clean is your work space?  Please tell me you are human and it is a completely messy and unorganized pile of papers, old coffee cups, and half eaten bags of Cheetos.

 

Well, I know where everything is 😉 Yes, total state a lot of the time ! As long as things are in nice clean order within that rectangle of my screen and speakers, I don't much care what's happening outside of that...

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2 hours ago, Cerbera said:

 

Oh thank you ! Yeah, I write orchestral soundtrack type stuff for fun, and occasionally profit 🙂  All (initially) using Virtual instruments with each part played in via piano / keyboard or directly scored. The piece above was just half a day of testing out a new Chamber strings library I had just purchased, the instrumentation of which seemed to fit the feel of the ad they wanted. But I have been lucky enough to do a lot more music this year - got to write a lot of the soundtrack to a ballet for dance academy perfomance 'Worlds in Motion'  which was fully symphonic (used the excellent Spitfire BBC Symphonic Library a lot there) and substantially more epic, being, as it was, all about vast planetary movements and Gods and Goddesses and whatnot 🙂 The live performance of that is delayed until April 2022 because of Covid, but it was great fun to work on. Alas most of the time the 3D's keep me busy enough to not really have time for music, but I remain determined to go back to it whenever I get a decent break....

 

However, having built up quite some collection of personal pieces over the various lockdowns I can share, I am resolved to get some of these tunes out in 2022, hopefully with some decent C4D / Octane videos to accompany...

 

CBR 

I would love to hear your music.  I actually scour the web for streaming sites where artists post the music that they have made for productions, TV or documentaries.  I just love orchestral music that creates a mood---be it action, horror, drama, etc.  Sites like Extreme Music, Bleeding Fingers, Brand-X, Position Music, Gothic Storm, AudioMachine are some of my favorites.  I just go to the site, hit play and the music helps me get in the zone be it at work or when doing 3D.

 

I have a newfound respect for your talent's sir.  3D is hard but composing music is harder (IMHO).    You are a modern day Rennaissance Man

 

Dave

 

 

Sorry...but I simply do not have enough faith to be an atheist.

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