massiah

Thank you so much Dave! Indeed one of the challenges was finding a way to properly showcase the lives of the Oceanic Flight passengers before the crash. The majority of the title design sequence is 3D. However, the horse in Kate's shot is stock footage I purchased from Filmsupply. Initially, it was 3D, however, I got great feedback from both (Aaron and Theo - mentioned in special thanks) suggesting that live footage was probably a better solution. And the fire in all of the shots used is stock, excluding the plane intro. The shots where I used backplates, were the following: intro - clouds, Charlie - wide shot, Hurley - wide shot, Jin and Sun - wide shot, and the final shot of the island. Michael Giacchino's music during the series definitely gave chills. Very emotional indeed! Even though the project is complete. At some point, I might try to find a sound designer to see how this could be potentially more epic. Hope this helps in any way. Once I get some time, it should be more apparent how elements were built in a BTS montage.

That means a lot. Appreciate that it resonated with you. 🙂

Appreciate the kind words DASFRODO! I hope to have a reel soon giving more insight into the workflow process.

@HOBBYIST Many thanks HOBBYIST! :D

Thank you BEZO!!!

Thank you so much IGOR! Glad that you liked it. :) Definitely will post in the showreels section then.

Not really a WIP. However I wanted to share a self-initiated project that I recently completed. In 2006, I came across a show which changed my life. At the time, it spoke to me on so many levels. So much so, I was incredibly inspired to take on the task of creating the main title sequence paying homage to the tv series LOST. I spent working it on / off, for the last several years. And really brought it to fruition, working on it every day during the quarantine of 2020. C4D, Redshift, Substance Painter, Adobe Creative Suite were used extensively in this project.