I bet they just purchased yet another company and this has nothing to do with C4D .

You might want to add that one to your wireframe section of images in the topology album, or whatever it was called. It could be a really good resource for people trying to model a keyboard or something electronic with panels and details, using SDS. That's what piqued my interest in this model in particular (especially to see how you handled the diagonal parts intersecting with the horiz/vert topology).

Ah yes my bad - knew I'd put them somewhere ! Well found !

Cool, I think the wireframe you posted above is for a different keyboard, but I did find the posts from when you were just working on this project and it has some wireframe images, so cool. i.e.:

I also have a wireframe gallery here, which has the wires for this in it. Yes, this was an SDS model.

Was this one modeled for SDS (i.e., quad based) and if yes, can you upload a versions with wires and no textures so we can see how you laid out the topology for something this complex?

Thanks for explaining, Ill have to dig into the subject a bit more.

ACES support out from a 3D Renderer is via OCIO. ACES System is in NUKE ( fully supported) , Davinci and other post programs supported

rec709 was the most used output for TV. the output for PC screen is still sRGB. but you can output (render out) as rec709 and in the post make the color grading in rec709 and than use gamut back to sRGB for PC or stay in reg709 or reg2020 for TV. so in you case the input is sRGB and the output is rec709. in Postproduction the input is rec709 and the output whatever is needed for.

Ok how I can be sure something has support for ACES. Is rec709 something I look for...because this is how it look within RM. These are the options I can select from right now. If I install OCIO I have gazilion more of them. But do I need them or this is enough?

actualy it is simple, ACES is just the System. a kind of an universal converter. So you can bring every color space from every camera into that system and the color grading is the same dosn't matter what input you bring in. ACES the System is only in Postproduction. Renderings is ACEScg or ACEScc. So it is a great system for 3D and VFX stuff. In the Filmproduction you film with different Cameras and the output is HD, SHD or UHD so the Color space of that cameras is very big . So ACES is not a must go in the Movie production. for CG it is a game changer for sure.

To be honest that whole topic is just too confusing. Renderman have gazillion color spaces or whatever they are called to choose from once you install ACES or OCIO, or whatever all of that is.

well ACES is a great Color system. ACES is just the system. the colorspace is ACEScg, ACEScc, RAC709 and so on. The only two renders that support ACEScg are Arnold and Octane. Redshift work on a full OCIO ACES integration. There is a work around in Cinema 4D and Redshift to output ACES (sRGB) ACES (reg709) yet but you need a convert node between the color and the material input.

Stability and to be able to look back with "Nostalgia" at the Task manager and " Cinema 4D - Not Responding"